Sculpture
Very Useful Things 1997-2000
In Some notes on the phenomenology of making: The search for the motivated the author, sculptor Robert Morris argues for the condition of making, framing art as a process of phenomena – moving beyond the practice of critiquing the ‘thing’ or object in isolation (which is left over from making) and exploring it as a complex sum of thinking/materiality/making and behaviour.
Super Sofas: Furniture for Body Play and Rest
(Models No.1-6) 2002
Super Sofa's (a.k.a Ducati models) are soft systems for establishing visual scenarios for furniture, domestic wares, architectures and wearable items. Arranged, stacked, photographed and sketched in view of developing design ideas each system (representing one colourway) is a solid ovoid comprised of differing parts.
House's I'd hate to live in
West Space Gallery, Melbourne 1997
If one’s internal world could supply an architectonic expression then what type of space would manifest through usual human affections of anxiety, heartache, loneliness and dislocation? If feeling states could be authentically translated into an architectural language I wonder if any of us would wish to live in our architectural skins?
Exhibit 12: Karada de Oboeru: Remember it with Your Body
First Floor gallery, Melbourne 1998
Exhibit 12 marks LeAmon’s fascination with the work of French architect Eileen Gray and in particular Gray’s own self-styled training in architecture, craft and design in the early 20th century.
Exhibit 11: A Site For Weathering
Platform Artists Group, Spencer Street Railway Station, Melbourne 1997
A Site for Weathering references the iconic white weatherboard home found throughout the suburbs of greater Melbourne. Secured with architectural deftness to a central column in the underground of Spencer Street Railway Station the installation marked Platform Artist Group's 100th exhibition.
